Reviews

“Amy Harman scampering through passagework with irresistible zest.”

— The Times, Crowe/Stankiewicz and Harman at Wigmore Hall, 2025

“Amy Harman answered from the back of the stage, weaving a warm, baritonal vocalise through the orchestral duskiness".”

— The Guardian (Academy of St Martin in the Fields/Marquise Gilmore in Thea Musgrave’s Out of the Darkness, Royal Albert Hall 2026)

“our bassoonist charting the aria’s ‘unspooling lines’ with ease.”

— Gramophone review 2006, The Bassoonist's Songbook

“[Harman’s] subtlety and range in both the higher and lower registers, dynamic flexibility, and breath control were astonishing throughout.”

—Seen and Heard International (BBC Proms 2026 [20] – Britten, Mozart, Musgraves, Elgar)